The Bengal Files, directed by Vivek Ranjan Agnihotri, concludes his “Files” trilogy after The Tashkent Files and The Kashmir Files. Released on September 5, 2025, this political drama explores the 1946 Great Calcutta Killings and Noakhali riots alongside a modern-day investigation. With a 204-minute runtime and an A certificate for graphic content, the film offers a detailed look at a lesser-known historical event. Here’s an honest take on its strengths and areas for improvement.
The film operates on two timelines: the 1940s, depicting the brutal communal violence of Direct Action Day and the Noakhali riots, and 2025, where CBI officer Shiva Pandit (Darshan Kumar) investigates the disappearance of a Dalit journalist, Gauri, in West Bengal’s Murshidabad. The modern-day probe points to suspects like Bharti Banerjee (Pallavi Joshi), a centenarian with dementia, and a politically influential Muslim MLA, Sardar Husseini (Saswata Chatterjee). The narrative ties these threads to explore themes of communal tension, historical erasure, and the human cost of political power struggles.
Agnihotri’s intent is clear: to spotlight “Hindu genocide” and critique the selective retelling of history. The film’s strength lies in its unflinching portrayal of these events, backed by detailed research that brings authenticity to the period setting. However, the heavy-handed approach sometimes sacrifices nuance for emotional impact, risking alienating viewers who prefer subtlety over histrionics.
The ensemble cast is a highlight. Simratt Kaur Randhawa delivers a standout performance as young Bharti, embodying raw intensity and vulnerability that make her scenes unforgettable. Her chemistry with Eklavya Sood, who plays Amarjeet Arora, adds emotional depth to the tragic love story set against the riots. Pallavi Joshi is compelling as the older Bharti, balancing fragility and fire, while Mithun Chakraborty shines as a weathered, intense cop, stealing scenes with his gravitas. Anupam Kher and Darshan Kumar deliver solid performances, though some secondary roles, including Saswata Chatterjee’s, feel underutilized or stereotyped. Namashi Chakraborty also earns praise for his menacing turn as a 1940s antagonist.
Agnihotri’s direction is ambitious, with cinematography that vividly recreates the 1940s, capturing the chaos of Kolkata’s streets. The dialogue-driven script aims to provoke thought and largely succeeds in engaging audiences emotionally. However, the film’s length feels extended, with some sequences that could be tightened for better pacing. The shifts between past and present are meaningful but occasionally disrupt the narrative rhythm. The graphic content, while effective in conveying the era’s violence, may be intense for some viewers, though it serves the story’s purpose.
Early audience reactions, particularly on X, have been largely positive, with many calling the film a “gut-wrenching” and “eye-opening” mirror to a buried past. Viewers praise its emotional weight and the cast’s performances, with some labeling it a “must-watch for every Indian.” However, others criticize its limited release, especially in Bengal, and compare its box office struggle to lighter fare like Baaghi 4.
What Works
What Doesn’t
The Bengal Files is a compelling, well-researched film that brings attention to a significant historical moment through strong performances and detailed storytelling. Its emotional depth and thought-provoking themes make it a rewarding watch for those interested in history and drama, though its length and intense content may require patience. Fans of Agnihotri’s work or historical narratives will find it engaging, especially in a theater setting.
Rating: 4/5
Recommendation: See it in theaters if you enjoy in-depth historical dramas and are prepared for a lengthy, intense experience. It’s a strong choice for viewers seeking meaningful content over light entertainment.
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