For Nitesh Tiwari’s Ramayana, DNEG (under the leadership of Namit Malhotra) is deploying a suite of tools typically reserved for $250 million+ Hollywood tentpoles. The goal is to move away from the “cartoonish” CGI often seen in previous mythological adaptations and toward a photorealistic, immersive experience.
Here are the four core technologies anchoring the production.
Following the “Volume” model pioneered by The Mandalorian, DNEG is using massive LED walls to render environments in real-time.
For complex characters like Ravan (Yash) or Hanuman (Sunny Deol), the studio is moving beyond simple motion capture to Performance Capture.
Creating the scale of Ayodhya and Lanka requires more than just manual modeling. DNEG is using procedural generation for architectural density.
To ensure the cast fits the timeless, ageless aesthetic of the deities, DNEG is utilizing AI-assisted cosmetic and structural enhancement.
The “Global First” Strategy: This is the first Indian production where the VFX is not an “add-on” in post-production. Instead, VFX artists were present from day one of pre-production, designing the shots alongside Nitesh Tiwari to ensure the “physics of the divine” feels grounded.
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